Archival Literacy Online Course: challenges and opportunities

Working with Generation Z

To promote the access of Generation Z to primary archival sources means not only to make what we hold available, but to do it in a selective, attractive and practical way for this new public. We are working with the first generation that was born digital, connected, mobile and that has never seen the world without the Internet. A generation that reads and publishes outside the conventional information sources.

Thus, the Archival Literacy Online Course challenged those who work in archives to understand different information needs: the choice of meaningful subjects; the presentation and contextualization of the selected documents to arise the public’s curiosity and interest; the potential to understand the past, to question the present and to build the future of the new generations.

The research of primary sources encourages critical thinking in young people, an essential skill, that can be applied in other areas of knowledge.

The issue of literacy is fundamental: we’re living, for the first time in history, a health pandemic in a digital age with a massive demand for information, caused by fear and anxiety. In addition, a disinformation pandemic occurred disturbing the protection of consumers and the prevention of public health: the European Union announced, last May, the existence of 2,700 fake news a day on Covid 19.

Working with teachers

In order to enhance the use of the Archival Literacy Online Course we contacted 12 teachers who teach from the 9th to the 12th year of schooling in different regions of the country. After receiving the invitation explaining the scope, the objectives and the schedule of the project, eight teachers have enrolled in it.

The teachers contacted have demonstrated a strong interest in the new access possibilities to primary sources and their exploration in the classroom, because the proposed subjects were included in the school curriculum.

Coping with the limitations of their new daily routine of face-to-face or online classes in times of pandemic and almost without the possibility of widening the learning experiences through study visits, the online access to the Digital Treasures course has opened new contact and work possibilities and, in a way, provided an alternative to in-person visits to archives.

Each one of the three themes addressed in the course was accompanied by a Teachers’s Guide, with didactic suggestions to work in the classroom context.

And, last but not least, working with archival documents

The sharing and the knowledge of the themes addressed through documents of seven European archives, helps the participants to build a broadened horizon of a common European history, besides the different national histories and identities.

For instance, in the subject “Pandemics and Epidemics” we present 26 documents of European archives, of highly varied types. In the context of the Covid 19 pandemic, the students will easily be able to question them.

Aurélio Paz dos Reis, Bubonic plague in Porto, Portugal, 1899, available in https://digitarq.cpf.arquivos.pt/details?id=63351
The Aurélio Paz dos Reis archival fond contains rich photographic material which portrays the bubonic plague

Maria Trindade Serralheiro, Senior Technician / Information, Statistics and Quality Systems, General Directorate of Books, Archives and Libaries, Portugal

Ana Isabel Fernandes (trad.), Senior Technician / Communication Office, Torre do Tombo National Archive, General Directorate of Books, Archives and Libaries, Portugal

Pest Control at Torre do Tombo National Archives of Portugal

15 Insect Anobium punctatum – beetle

Infestations in collections are a common problem in archives. This issue has been monitored throughout the years by the people in charge at the National Archives Torre do Tombo (ANTT).

The ANTT has two anoxic disinfestation chambers that use nitrogen. The first chamber is 1.5 m3 wide and the second has a capacity of approximately 4.5 m3 and 25 linear meters.

The disinfestation process, since it implies moving the documentation to the chambers, allows the hygienization of the spaces that are temporarily empty

However, considering the various infestation foci, the dimensions of the archive (over 100 linear quilometers of documentation), the impossibility of disinfesting the whole collection at once, as well as the legal obligation to incorporate new documentation, it was necessary to rethink the problem and use a new approach to reinforce the disinfestation process.

Electrocuting light trap

To work in reducing the insect population in its adult phase, while continuing to use the anoxic desinfestation process throughout the year.

It is known that insects are attracted to light. Therefore, in Spring, we’ve placed electrocuting light traps in the hallways identified as infested, in three rooms of two repositories, that were numbered and maped.

In summary, three of the proposed objectives are presented:

     1) Try to capture / eliminate as many infesting insects as possible, in order to complement the purge work performed by the anoxia chamber;

General tabel insect capture

     2) Through the geographical layout of the traps in each room, try to identify the most infested documentation, in order to guide the next purging work in the anoxia chamber;

Room Map

     3) Try to understand if in the areas of disinfected documentation vs. areas that have not yet been disinfected, they present a difference in weed occupation.

A month later, the insects captured in each trap were counted to try to identity the worst infested areas in the room, to proceed to the anoxic desinfestation of this documentation.

Conclusions:

It is important to realize that the fact that insects are found in a certain trap does not indicate that they come from an area that is necessarily close. However, this is very likely to happen, always taking into account the layout of the remaining traps in the room.

    1) Floor 4, Room 6: Documentation of Notary Offices where disinfestation work has been carried out in the anoxia chamber since June 2016.

        863 insects were captured in this room, revealing that the disinfested area has, in most cases, a lower number of insects, although with occasional situations, with an average similar to other areas in the room.

        It was possible to notice that the room has an even high level of infestation and with a certain homogeneity, since in more isolated traps locations an approximate number of insects were captured than in the most concentrated area.

Luís de Vasconcellos e Sá, Senior Technician / Conservation and Restoration Office, Ana Isabel Fernandes (trad.), Senior Technician / Communication Office, Torre do Tombo National Archive General Directorate of Books, Archives and Libaries, Portugal

Literacy course- An opportunity for everyone!

The Digital Treasurers literacy course is suitable for everyone. The course is broken down into three modules. The first module is called – Archives, An introduction. The second module is called – The Archives of Anyone, an archive for Anyone. Finally, the third module is called – Teaching with Primary Sources. 

The course is to help make students more aware of archives and what benefit they have to present day life. The different aspects of the course were the length of the course, the style of writing , the activities included in the modules. From a survey conducted there was a positive response regarding the relevance to the classrooms. The modules course has information on useful tips for gaining insights into history and past events. These include pictures, documents, passports and artifacts. Displaying of these can either be on video, museums or websites. An archives can also be a certificate of some sort. E.g a Birth Certificate. This course speaks about who uses archives and the importance of them.

Archives can be used by historians, teachers, scientists and or any person looking to gain insight into the past. Archives are extremely important as they explain a lot of what was culturally acceptable or available at the given time of the artifact. It also helps gives dates of important events. Archives can also be used in legal settings. E.g CCTV or Dash camera footage. 

For further information read here!

The merchandise products: Antique heroes & Roman matrons

Thirdly, but not least, we present one more inspiring designer product of the European Digital Treasures project. It is made by Zsófia Neuzer, a Hungarian designer charged with designing by the National Archives of Hungary.

As the designer wrote, “After reading István Kővágó’s referendum summarising the events of the 1956 revolution before the UN Special Committee, the plan for an attention-grabbing, outspoken product line was immediately outlined. The text describes Hungarian civilians marching and fighting on the streets with an anachronistic analogy, specifically:

‘… I have to interpret a nation’s bloodwritten epos using the language of reality. A fight in which the characters exceeded average human level, in which 14-year-old children modelled antique heroes, 70-year-old grandmothers as old Roman matrons.’

I highlighted and placed the terms ‘antique hero’ and ‘Roman matron’ as text elements on T-shirts, complete with illustrations of antique figures in red. The set consists of organic cotton T-shirts, stickers and washable tattoos.

The product line draws attention to the importance of critical thinking, as I consider it very important that the original purpose of the document – storytelling –, could be widely realized and given great publicity by stepping out onto the street with creating new dialogues.”

Dorottya Szabó, senior archivist, National Archives of Hungary

The merchandise products: The DIY Time Capsule

In connection with our previous post, we present an other designer product born within the framework of the European Digital Treasures project. Its creator is Dóra Rea Kövér, a Hungarian designer, who was charged with designing by the National Archives of Hungary.

Designer Dóra Rea Kövér, DIY TIME CAPSULE, Hungary

As previously posted on this webpage, selected documents of our international project’s three digital exhibitions serve as a basis not only for organising online educational resources, computer games, quizzes or community activities and workshops – temporarily postponed due to pandemics but still planned – but also as inspiration to the 12 designers appointed by the members of the consortium.

Created by Dóra Rea Kövér, the design is a DIY Time Capsule made for children. About the planning process and the inspiration, the designer wrote as follows.

“The object I designed is a “handheld” customizable version of the time capsules everyone knows, mostly with a system tailored to children aged 8-12.

My inspiration from all archival activities I got to know was storytelling and the process of keeping these stories for the future, as well as the power of handwriting. I think it is important that in an era where everything can be retrieved and paper-based knowledge accumulation is increasingly overshadowed, primary school children should meet these values, after all.

In my choice of material, I chose a paint box as a basic object because, on the one hand, I wanted to keep it available for as many students as possible, and on the other hand, I sought to keep the essential properties of the capsules (e.g. hermetic closing) as well. The boxes are light-coloured and also have a saturated sticker.”

In fact, time capsules are “extended sections” of our archival work, which will give their future user the opportunity to preserve their personal stories for posterity in the same way that archives around the world do.

Dorottya Szabó, senior archivist, National Archives of Hungary

The merchandise products: “the Father Bartolomeu de Gusmão’s aerostatic machine”

To respond to one of the challenges launched by the European Digital Treasures project, the Directorate-General for Books, Archives and Libraries of Portugal hired the IPCA (Polytechnic Institute of Cávado e Ave) to create some merchandising products inspired by documents of the National Archives Torre do Tombo and that belongs to one of the  Exhibitions, ” EUROPEAN DISCOVERIES: FROM THE NEW WORLD TO NEW TECNOLOGIES”, from the EDT. These products should please a very wide-ranging and diverse audience, contribute to increase the visibility of archives and their documentary heritage, diversify the ways in which they are approached, attract new audiences and increase the revenues of archives.

IPCA accepted the challenge and developed a set of products of which we now present “the Father Bartolomeu de Gusmão’s aerostatic machine”.

Historical background:

In August 1709 Father Bartolomeu de Gusmão presented to D. João V, king of Portugal, and his court, a balloon that rises 4 to 5 meters from the ground. In order to prevent the possibility of the plans being copied and to ensure his recognition as the inventor of the concept, Bartolomeu de Gusmão created the design of the Passarola, a bird-shaped machine that, in no way, corresponded to the original device, but served mainly to divert attention.

This picture can be found in the manuscript “Letters, consultations and other works by Alexandre de Gusmão: Father Bartolomeu de Guerreiro’s Aerostatic Machine” with reference code: PT / TT / MSLIV / 1011

More than three centuries later, the Passarola is still a source of inspiration. This episode was used by José Saramago in one of his most popular novels, “Baltasar and Blimunda”.

Here you can see a video on the IPCA process of creating a mobile from the National Archive of Portugal/Torre do Tombo document: https://youtu.be/vb83RNmppYg

General Directorate of Books, Archives and Libaries, Portugal

Bohemia’s Protestant Exiles: Carl of Liechtenstein’s summons of 1621

This Document is one of the many exhibits of the roaming exhibitions of the Digital Treasures Project. It is part of the collection of the National Archive of the Czech Republic and is dealing about one of the important turning points at the beginning of the Thirty Years´ War. The document was published on 17th February 1621, but the battle at the White Mountain (Bílá hora, near Prague), was fought on the 8th of November 1620.

And here is the background of the document. It marks the culmination of a period of intense confrontation between the Protestant princes and nobles of the Holy Roman Empire and Central Europe on one hand headed by Frederick V, ruler of the Palatinate region in Germany, and the Catholic establishment of the Empire led by Emperor Ferdinand II. of Habsburg on the other hand.

In 1618 the Second Defenestration of Prague triggered the Thirty Years´ War. The two sides gathered armies, thus leading to the inevitable confrontation at White Mountain. Ferdinand’s Catholic army decisively defeated Frederick’s forces, and went on to capture Prague, thus effectively putting down the rebellion. Frederick and many of the Protestant leaders went into exile abroad.

The document was published in the name of Carl of Liechtenstein, one of Ferdinand II’s top officials at that time. In the text, it is announced that the emperor has ordered the trial. A list follows, naming the most notable of the rebels. In effect, though, the summons is designed to apply to all Bohemians who had actively supported the Protestant cause.

27 of those who did come up for trial were executed in Prague in June 1621, and those who remained at large had their land and titles confiscated and transferred to nobles and gentlemen (all Catholics) who had been loyal to Ferdinand. Protestantism was forbidden, and in 1627 centralised authoritarian government was introduced.

For the people living on the lands of the Bohemian Crown, the consequences were devastating. The expelled people originated from all social classes. Places of exile had been the protestant German lands or the different parts of the Crown of St. Stephen´s in the kingdom of Hungary.

At a wider European level, the repercussions of the Bohemian Revolt were wide-ranging. The conflict effectively kicked off a series of interlocking wars which devastated much of Central Europe. Only with the treaty at Westphalia in 1648 did Europe enter a state of (sadly temporary) peace once again.

Get to know our project partners: National Archive of Norway: Joint Nordic initiative on Sámi archives

The National Archivists in Finland, Sweden and Norway agreed to raise the cross-border Sámi archival challenges to a Nordic level. The Sámi community extends across the national borders between Norway, Sweden, Finland (and Russia). The Sámi people’s archive situation is therefore in a special position and the Sámi archive issues should be included in long-term Nordic co-operation.

A Sámi with his reindeer herd, ca. 1980. Photo: Koji TSUDA. Archive: The National Archives of Norway/Sámi Archives/Koji Tsuda.

The international archival community are now starting to recognize indigenous peoples ́ right to preserve, manage and control their own cultural heritage on their premises. This has been written down in the declaration “Challenging and Decolonizing the Archive”, presented in Tandanya – Adelaide following the ICA 2019. Another sign is the newly established ICA Indigenous Matters Expert Group.

Mutual needs
Access to relevant archives is a key to one´s own history and makes it possible to link past times with present and future, and thus contribute to identity creation and new knowledge.

The archives of the Nordic national archival institutions should ideally reflect a comprehensive documentation of all parts of the society. Collecting archives can help to strengthen the Sámi languages ​​and make them more visible. The archival institutions therefore need to develop more appropriate means of collecting, preserving and enhancing the availability of the Sámi archival material.

Strategic partnerships
There is a great need for a joint Nordic initiative to give better access to Sámi archival material in the national archives and other cultural heritage institutions concerned. The National Archivists see it as a common goal to anchor future project collaborations in strategic forms of cooperation at a Nordic level.

  • Work together with Nordic universities in order to establish a university degree in archival and information science with a Sámi perspective.
  • Develop guidelines for collecting and preserving Sámi archives and documentation within the Nordic area.
  • Improve the search for Sámi archive material in the national archive databases.
  • Find new ways to disseminate Sámi archival material and show how Sámi history can be conveyed through archive material.

National Archive of Norway

How can archives help young people to use their materials?

Archives have a very rich and wide contribution to offer to society.  Their role goes beyond historical scholarship and are a key resource to other disciplines as well.

The “European Digital Treasures” project, funded by the European Commission, brings together the knowledge and skills of the National Archives and information technology to develop a sustainable and attractive tool linked to young user education on how to use archives (archival literacy).

Archival literacy is the ability to recognise the need for information, to identify the sources needed to address a given problem or issue as well as to find evaluate and organise the required information and to use this information effectively to address the problem or issue at hand.

Although young people and students may be familiar with how to use libraries, however not all students are capable of transfer this knowledge to working with archival materials. Such instruction is an important part of the mission of archives and special collections because it inspires learning.

Young people benefit from working with archival materials. Students are able to connect with people whose first-hand accounts they used; such an experience makes history real for them. Students learn important attributes and experience ‘doing history’ like a real historian. Through archival research students manage to connect evidence with valid historical arguments and learning to approach sources with scepticism demonstrate their acquisition of critical thinking skills.

Students develop an understanding of how to use evidence in creating historical accounts. Unpublished archival materials instil in students the desire to pursue independent research. It excites students, sparks their imagination, generates new questions and implants a desire to learn more.

This online archival literacy course aims at empowering students to cultivate critical thinking and to understand how through evidence, how historical accounts are created.

Teaching students how to access archival sources will not be restricted to just history.

The archive can be used to gain insight into and an understanding of past geographies, laws, social structures and religious beliefs, just to mention a few. Human geographers use archival research to examine past geographical phenomena such as migrations, urbanisation, and population redistribution.

Archival research utilising photographs, maps, and informal recordings or observations can also help in the recovery of data about our changing natural landscapes and climate. One has to keep in mind that the contents of archival collections were constructed through the social, cultural, political, and economic circumstances of their creation, preservation, and curation.

Young people and students will benefit from this course by developing their ability to look at evidence from sources with valid arguments and acquire critical thinking skills.

Leonard Callus, National Archives of Malta 

for more information read here